Review: Cardiacs – LSD

Style: Progressive Punk, Experimental Rock, Psychedelic Rock, Art Rock (clean vocals)
Recommended for fans of: Captain Beefheart, black midi, Frank Zappa, Oingo Boingo, Ad Nauseam
Country: United Kingdom
Release date: 19 September 2025
riverrun, past Eve and Adam’s, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Cardiacs, their latest opus, LSD, and its environs.
Sir Timsmith, violer d’amores, requiescat in pace, described as quite a musical genius in a small way and the owner of an exceedingly niced ear, with tenorist voice to match, not alone, the queer mixture exchanged the pax in embrace or poghue puxy as practised between brothers of the same breast (avec Jimsmith), among various others, the miracles, death and life are these. collected gregorian water sevenfold and with ambrosian eucharistic joy of Cardiacs as many times receded. And the clash of our cries till we spring to be free. And, alas, our private chaplain of Lambeyth and Salisbury, bishop-regionary, an always sadfaced man, in his lutestring pewcape with tabinet band, paying for their feed on tally with company and piano tunes. If I lose my breath for a minute or two don’t speak, remember! Once it happened, so it may again. Why I’m all these years within years in soffran, allbeleaved, twenty-six of them since Guns.
plus if lens could fill the film with fill Phillip the prince of princely tracks. Are we meant to? Did they mean to? Musicianship made Embrassador-at-Large ! Good by nature and natural by design. Heretofore howevermore they explain or do not explain, I can not step inside your mind and tell you how to rearrange things! Nothing compares. Compare it to nothing. For instance, consider the conversation as follows
Jute. — ‘Zmorde!
Mutt. — The gyant Forficules with Amni the fay.
Jute. — interweavening. Mutt. — complexifaction. Jute. — metre upon metre of it.
Mutt. — Despite desperate discoverings, I will remain ignorant of all what I hear and, though if whilst
metre upon metre upon metre upon metre upon metre upon metre upon metre upon metre
disrobing to the edge of risk, (the bisifings in idolhours that satinfines tootoo !) (when I am not prepared
metre upon metre upon metre upon metre upon metre upon metre upon metre upon metre
to say) so apt as my pen is upt to scratch, to compound quite the makings of a verdigrease savingsbook.
metre upon metre upon metre upon metre upon metre upon metre upon metre upon metre
And I attempt. And I attempt. And I attempt. And I attempt.
Jute. — And I attempt.
Jute. — And I attempt.
with however what sublation of compensation in the radificatijon of interpretation by the byeboys to have as badazmy emotional volvular ^I^M^A^G^E .in. the noise, the cacophonous phonus inspire Ad Nauseam inspire this aourthour inspire Marillion inspire in spite of Mr. Bungle perspire perspex black midi. I’ll borrow a path to lend me wings, quickquack, and from Jehusalem’s wall, clickclack, me courser’s clear, to Cheerup street I’ll travel the void world over. It’s Winland for moyne, bickbuck! Jee-jakers! The dispersation of the sound cannot be overstated. Disperse it.
Hear it.
Wethen, now, may the good people speed you, Sal’s berry, export stout fellow that you are, the crooner born with sweet wail of evoker, healing music, ay, and heart in hand of Pronkshire ! The googoos of the suckabolly in the rockabeddy are become the copiosity of wiseableness of the friarylayman in the pulpitbarrel.
Does nobody understand?
Understand or overstand the bandstand behind the down under over the under (gone to a better place, we think) we think what to make of it. Sounds good to me. Your mileage may very well vary, merry Mary. Your guess is as good as mine. pullquote: A work of art? Yes. george on the bush battleship. starboard side the tide the saltslick sea mist Whish! A gull. Gulls. Far calls. Coming, far! End here. Us then. Finn, again! Take. Bussoftlhee, mememormee! Till thousendsthee. Lps. The keys to. Given! A way a lone a last a loved a long the riverrun, past Eve and Adam’s, from swerve of shore to bend of bay
Recommended tracks: Downup, Lovely Eyes, Men In Bed, Skating, Volob, Gen
You may also like: doing actual drugs, abstract expressionism, e e cummings, Lost Crowns, The Shaggs
Final verdict: 10/10
Related links: Bandcamp | Official Website | Facebook | Instagram
Label: Alphabet Business Concern
Cardiacs is:
– Tim Smith (vocals, guitars, keyboards)
– Jim Smith (vocals, basses)
– Kavus Torabi (vocals, guitars, EBow guitar)
– Bob Leith (vocals, drums)
– Mike Vennart (vocals)
– Rose-Ellen Kemp (vocals)
– Craig Fortnam (vocals, glockenspiel, percussion)
– James Larcombe (pianos, keyboards)
– Stephen Gilchrist (additional drums)
– Sharron Fortnam (vocals)
– Jane Kaye (vocals)
– Jo Spratley (vocals)
– Suzanne Kirby (vocals)
– Melanie Woods (vocals)
– Claire Lemmon (vocals)
– Rob Crow (additional percussion)
0 Comments