Style: Atmospheric black metal, post-metal (Clean vocals)
Recommended for fans of: Summoning, Alcest, Sylvaine
Country: Norway
Release date: 4 April 2025
If you frequent online progressive metal spaces, you’ve likely seen memes of people deriding ‘slow-burn’ bands or tracks that generally don’t go anywhere. One I see often shows an ascendant silhouette with the caption ‘Tool fans fifteen minutes into the worst song you’ve ever heard’. Regardless of your opinions on Tool, the meme raises a simple-yet-effective point: there is nothing more frustrating than a slow-burn track that never truly ignites. So when I found out that one-man atmoblack project Eldamar had transitioned away from his magical, Tolkien-inspired origins to something more akin to long-form post-metal with the sensibilities of atmoblack, my eyebrow raised. Could Mathias Hemmingby distill his exploratory sound into a focused crescendoing fire on latest release, Astral Journeys, Pt. II: Dissolution, or does the record fizzle out before it can catch flame?
Astral Journeys II is the second half of a four-’Akt’ piece with a focus on the themes of euphoria in the moments before death. Each of Astral Journeys II’s ‘Akts’ are extended post-metal tracks that vacillate between Jeremy Soule-style orchestral atmospherics, jangly 90s alt-rock guitars, and cinematic buildups into atmospheric black metal riffage. Each piece features multiple buildups, starting more narrow in scope with a focus on approaching the buildup and then exploring ideas more freely within the crescendos. While harsh and clean vocalizations are peppered throughout each track, only the first third of “Akt III” features lyrics as a means of establishing Astral Journeys II’s point-of-view.
The prevalent symphonics work the hardest to sell Astral Journeys II’s ideas, used both as a tool for establishing atmosphere and later as a means to augment the more grand and cinematic moments. “Akt III” introduces the record with hazy, dreamy atmospherics and pulsating synthesizers, later swelling in tandem with a tempo increase and transmuting jangly guitar work into a vast technicolor expanse. In a similar fashion, “Akt IV” begins with Soule-style orchestration which later acts as a central focus for its climax, vamping what sounds like the first seven seconds of House of Pain’s “Jump Around” on repeat. Take that how you will.
This extended vamping at the end of “Akt IV” is a microcosm of Astral Journeys II’s flaws. The record undoubtedly features some gorgeous instrumentation and lush soundscaping, even throwing in a series of killer guitar/keyboard melodies to maintain interest across its runtime. At the same time, there is a nagging insistence that tracks must continue well after they reach their peak. Both of these Akts dawdle endlessly and end up massively overstaying their welcome. The “Jump Around” outro of “Akt IV” would be much more palatable if it wasn’t at the end of an overlong and bumbling journey and then repeated for three minutes. Additionally, the gorgeous buildup of “Akt III” and its subsequent cooldown would have made for a much more sensible end than extending the track a further nine minutes. Should Eldamar be interested in continuing this style, dialing back the song lengths just a touch and indulging in the pleasant interplay between orchestration and melody would bring a much stronger focus to the more compelling ideas that make up Astral Journeys II.
In the face of post-metal, it’s easy to decry any criticism of its length as an issue of patience, but Astral Journeys, Pt II: Dissolution is a prime case of a record resting too long on the laurels of a good idea. Its orchestration is undoubtedly lush and gorgeous, intertwining nicely with the keyboards and the more pleasant guitar melodies, but the approach of maintaining a climactic excitement after reaching the natural peak of a piece ends up wearing on the listener more than it keeps them in that initial euphoria. If patience is a virtue, then dawdling is a sin.
Recommended tracks: Akt III
You may also like: Ashlands, Karg, Unreqvited, Skyforest, Lustre
Final verdict: 5/10
Related links: Bandcamp | Spotify | Facebook | Instagram | Metal-Archives
Label: Northern Silence Productions – Bandcamp | Facebook
Eldamar is:
– Mathias Hemmingby (everything)
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