Review: The Neal Morse Band – Innocence & Danger
A stellar late-career release from a group of legends
A stellar late-career release from a group of legends
A lovely epic folk/black metal album that is NOT sketchy.
Tanpasin demonstrates a good level of quality control: putting out consistently good riffs and impressive technical performances in every song.
Perfection without pretention, this is fucking superb! Scratching my O’Brother itch, but so so much more – huge dynamics and post-hardcore emotions collide with impeccable songwriting sensibilities in a compelling reflection on the destruction humanity has wrought on nature.
A good classic heavy metal record. with some progressive elements dashed in.
Quality writing has no genre, and it carries this album that somehow manages to have no identity for 48 minutes and still be good.
If you are someone who wishes Keor never would have diverged from Steven Wilson/Opeth inspired sound he established in Petrichor, I think I might just have the album for you.
A solid atmospheric, djenty debut album from a small band in Minnesota.
Two former members of Spiral Architect teamed up to bring the 90s into 20s, but did they succeed?
This is a bit of an experimental album combining electronic, power metal, and prog metal influences.