Review: Esoctrilihum – Dy’th Requiem For The Serpent Telepath
Yet another banger from one of the most prolific, ambitious, and talented artists in the French black metal scene.
Yet another banger from one of the most prolific, ambitious, and talented artists in the French black metal scene.
A good jazzy effort that sadly misses the mark.
This sounds like Keor dropped acid and wrote down and recorded everything that came to his mind during a long night in a cave somewhere.
Impeccably written discordant, atonal chaos: impenetrable, oppressive, and heckin’ brilliant.
Aggressive, oppressive, evil, and avant-garde. What more do you want?
A highly technical but non-snobby and at moments even humorous avant-prog album from Yugoslavia laced with Balkan and alpine folk influences. Nonsense at its best!
A claustrophobic exploration of hope and suffering through tight, ferocious death metal.
An uncomfortable ride into the depths of black metal avant-garde – Maladie is sure to leave you flabbergasted!
Imagine spinning a wheel with 8 genres on it, the wheel breaking, and deciding you can probably get a bit of each of them into an instrumental album just to be safe.