Review: Terminus – The Silent Bell Toll
Out of the swamplands of thick sludge and angry rednecks, we now stumble upon… pop sludge? What? Did someone dump a sugar truck in my swamp or something?
Out of the swamplands of thick sludge and angry rednecks, we now stumble upon… pop sludge? What? Did someone dump a sugar truck in my swamp or something?
A stellar late-career release from a group of legends
A lovely epic folk/black metal album that is NOT sketchy.
Fantastically intricate blackened death metal with classic energy but bass-heavy and dissodeath-inspired chops.
Perfection without pretention, this is fucking superb! Scratching my O’Brother itch, but so so much more – huge dynamics and post-hardcore emotions collide with impeccable songwriting sensibilities in a compelling reflection on the destruction humanity has wrought on nature.
Lose yourself in this dynamic, progressive, sax-filled technical death metal epic.
If you are someone who wishes Keor never would have diverged from Steven Wilson/Opeth inspired sound he established in Petrichor, I think I might just have the album for you.
Finally! A progressive technical death album with some true melodic flair and a styling of Native Construct and similar artists in the cleaner sections.
Quality musicianship dragged down by poor mixing and a lack of originality.