Review: Summoner’s Circle – Chaos Vector
Summoner’s Circle arguably learns from past albums and illustrates a concise picture. This is a focused execution of dark synths, death-doom, and blackened death metal influences.
Review: The Cyberiam – Connected
The Cyberiam deliver a balanced reinterpretation of Rush-ian prog rock but with a modern twist.
Review: Terminus – The Silent Bell Toll
Out of the swamplands of thick sludge and angry rednecks, we now stumble upon… pop sludge? What? Did someone dump a sugar truck in my swamp or something?
Review: The Neal Morse Band – Innocence & Danger
A stellar late-career release from a group of legends
Review: Windfaerer – Breaths of Elder Dawns
A lovely epic folk/black metal album that is NOT sketchy.
Review: Electroqute – Tanpasin
Tanpasin demonstrates a good level of quality control: putting out consistently good riffs and impressive technical performances in every song.
Review: Speech Act – Letters on Extinction’s Piece
Perfection without pretention, this is fucking superb! Scratching my O’Brother itch, but so so much more – huge dynamics and post-hardcore emotions collide with impeccable songwriting sensibilities in a compelling reflection on the destruction humanity has wrought on nature.
Review: Anderuvius – Painter of the Universe
A good classic heavy metal record. with some progressive elements dashed in.
Review: Loch Vostok – Opus Ferox – The Great Escape
Quality writing has no genre, and it carries this album that somehow manages to have no identity for 48 minutes and still be good.
Review: Moon Machine – Moon Machine
If you are someone who wishes Keor never would have diverged from Steven Wilson/Opeth inspired sound he established in Petrichor, I think I might just have the album for you.