Review: Burial in the Sky – The Consumed Self
Lose yourself in this dynamic, progressive, sax-filled technical death metal epic.
Lose yourself in this dynamic, progressive, sax-filled technical death metal epic.
If you are someone who wishes Keor never would have diverged from Steven Wilson/Opeth inspired sound he established in Petrichor, I think I might just have the album for you.
Finally! A progressive technical death album with some true melodic flair and a styling of Native Construct and similar artists in the cleaner sections.
Heavy, yet airy. Punchy, yet uplifting. Aggressive, yet hopeful. Grace Hayhurst’s debut EP manages to crush you to pieces and pick you up to repeat it all over again.
A mixed bag of the most furious metallic hardcore this side of End… alongside a bunch of immersive psychedelic filler.
Quality musicianship dragged down by poor mixing and a lack of originality.
The songs take a lot of strange turns, with chord changes and melodies never quite leading where you expect, but ending up somewhere tasteful nonetheless.
Looking to get pummeled over the head with a few cool turns along the way? This is for that mood.
One of the most impressive tech-death albums I’ve ever heard, with absolutely blistering guitarwork and great songwriting to boot!
This blackened deathcore album will chill you with its brutally crushing downtuned riffs, and agonizing gutturals. If you’re not mentally prepared for this album, I’d turn elsewhere.