Reports from the Underground: Albums We Missed in 2020
A final set of reviews for 2020 before the year-end list as The Progressive Subway drives back to the missed stops
A final set of reviews for 2020 before the year-end list as The Progressive Subway drives back to the missed stops
Style: Prog Rock/Synth-Pop (clean vocals)Review by: EvanCountry: UKRelease date: 19 June 2020 NOTE: This album was originally included in the “Albums We Missed in 2020” Issue of The Progressive Subway I picked this album up fairly last minute, so this will serve as more a first-impressions than a proper review. Read more…
Descend may be the band that us Opeth fans have been looking for all these years. This is an album that is truly remarkable. A faithful continuation of Opeth’s formula all while keeping updated with the meta of twenty years of progressive death metal.
Style: Blackened Death Metal (harsh vocals)Review by: CallumCountry: US-WARelease date: 14 February, 2022 NOTE: This album was originally included in the “Albums We Missed in 2020” Issue of The Progressive Subway It always boggles my mind when a band’s debut album sounds as polished as a seasoned veteran’s, and even Read more…
The Subway reviews a cool release month in terms of music and climate.
A formidable sludgy post-metal monster sneaking in at the end of 2020.
What, this album? Oh you know, It’s just prime progressive symphonic power metal is all.
Though few in quantity, November is high in quality!
Together with Harry Roesli’s Titik Api, the pinnacle of gamelan prog.
From an 80s heavy metal cult favorite to full blown progressive metal, Dark Quarterer have undergone quite the transformation. How did they do?