Review: Electroqute – Tanpasin
Tanpasin demonstrates a good level of quality control: putting out consistently good riffs and impressive technical performances in every song.
Review: Speech Act – Letters on Extinction’s Piece
Perfection without pretention, this is fucking superb! Scratching my O’Brother itch, but so so much more – huge dynamics and post-hardcore emotions collide with impeccable songwriting sensibilities in a compelling reflection on the destruction humanity has wrought on nature.
Review: Anderuvius – Painter of the Universe
A good classic heavy metal record. with some progressive elements dashed in.
Review: Tacoma Narrows Bridge Disaster – The World Inside
Emotive soundscapes. Crushing riffs. Questioning the meaning of existence. This is what post-rock is all about.
Review: Loch Vostok – Opus Ferox – The Great Escape
Quality writing has no genre, and it carries this album that somehow manages to have no identity for 48 minutes and still be good.
Review: Burial in the Sky – The Consumed Self
Lose yourself in this dynamic, progressive, sax-filled technical death metal epic.
Review: Moon Machine – Moon Machine
If you are someone who wishes Keor never would have diverged from Steven Wilson/Opeth inspired sound he established in Petrichor, I think I might just have the album for you.
Review: Prognostication – Collapse
Finally! A progressive technical death album with some true melodic flair and a styling of Native Construct and similar artists in the cleaner sections.
Review: Grace Hayhurst – Existence is Temporary
Heavy, yet airy. Punchy, yet uplifting. Aggressive, yet hopeful. Grace Hayhurst’s debut EP manages to crush you to pieces and pick you up to repeat it all over again.