Perfection without pretention, this is fucking superb! Scratching my O’Brother itch, but so so much more – huge dynamics and post-hardcore emotions collide with impeccable songwriting sensibilities in a compelling reflection on the destruction humanity has wrought on nature.
A good classic heavy metal record. with some progressive elements dashed in.
Emotive soundscapes. Crushing riffs. Questioning the meaning of existence. This is what post-rock is all about.
Quality writing has no genre, and it carries this album that somehow manages to have no identity for 48 minutes and still be good.
Lose yourself in this dynamic, progressive, sax-filled technical death metal epic.
If you are someone who wishes Keor never would have diverged from Steven Wilson/Opeth inspired sound he established in Petrichor, I think I might just have the album for you.
Finally! A progressive technical death album with some true melodic flair and a styling of Native Construct and similar artists in the cleaner sections.
Heavy, yet airy. Punchy, yet uplifting. Aggressive, yet hopeful. Grace Hayhurst’s debut EP manages to crush you to pieces and pick you up to repeat it all over again.
A mixed bag of the most furious metallic hardcore this side of End… alongside a bunch of immersive psychedelic filler.
Melodic death doom that needs some work on the death part.