Review: Nonlinear – The Longing Light

Published by Vince on

Artwork by: Eirini Grammenou

Style: Progressive Metalcore (Mixed vocals)
Recommended for fans of: Erra, Silent Planet, Thornhill (The Dark Pool), Polaris, Currents
Country: Greece
Release date: 30 May 2025


Little time was lost by my colleagues when it came to sniffing out facets of my musical inclinations. Some sides of a stone sparkle brighter than others, after all. As a result of their sleuthing, I’ve been dubbed “the metalcore guy;” a badge some may wear with shame, yet one I proudly present to the world. Works like Sempiternal (Bring Me The Horizon), The Death of Peace of Mind (Bad Omens), and Silent Planet’s entire discography rank amongst some of my favorite albums. There’s something activating about the dichotomy of hefty angst and (often) uplifting choruses, that vein of emotionality which inform the genre. Oh, and the breakdowns, of course. One can’t overlook a great, neck-snapping, back-throwing breakdown. I was thus presented with a recommendation: The Longing Light, debut EP from progressive metalcore newbies Nonlinear. Being the metalcore guy that I am, I accepted.

First things first. Please, oh please for the love of all that is right and good in this world, stop with the instrumental / ambient opening tracks. This is an issue that plagues more than metalcore, an infection of the wider metalsphere, and few are the bands who can properly justify the inclusion. EPs, by their very nature, offer limited listening capacity, and to waste one of those precious slots on such needless aurafarming veers close to criminal. I could overlook it if “Awakening” segued into list mate “Monochrome Chamber,” but it doesn’t. Instead, “Monochrome Chamber” hits reset on The Longing Light’s flow, offering up decidedly Silent Planet-flavored synths alongside a central riff that bends and skips like something out of the pre-Iridescent days. It’s a cool opening for a song, and feels far more natural than “Awakening.”

That said, what surprised me about Nonlinear is their ability to pull from a variety of different styles within the metalcore world. Most notably, The Longing Light features warping Silent Planet riffs and breakdowns (“Monochrome Chamber,” “The Longing Light”), uplifting pop-centered hooks and guitars à la early Polaris (“Reflections”), and the interplay between the roiling harshes and ethereal cleans courtesy of Erra. The record even features a trip hop-inspired instrumental at the midway point that calls to mind Post Human-era Bring Me The Horizon. And while this represents something of an identity crisis for the group, their newness cannot be overlooked. Hewing to influences is natural; metal of all stripes has been cannibalizing and laterally reproducing since pretty much its inception. Whether Nonlinear can shape these elements into something more recognizably their own is something only time can be sure of.

Where difficulties lie ahead, I fear, is less with appropriation of sound and more in the execution. To be clear, none of the performances here are bad, but neither are they activating in that special way great metalcore can be. The harsh vocals, while occasionally spicing things up with a good “blegh!” and a snarl here and there, come across rather one-dimensional and forced in their toughness, while the thinness of the cleans strip them of any real power. Yet, on “Reflections,” both approaches feel empowered by the Polaris-coded aesthetics in ways they struggle to provide on most of The Longing Light’s scant twenty-two minutes. Similarly, the music never really finds the hooks needed to grab the listener. “Reflections” probably comes closest, especially when it transitions from an introspective bridge into an ascendant closing moment as the drums build into a rumbling gallop around heaven-sent vocalization. Oddly enough, “Holding On” finds similar legs to stand on, despite being a short-lived instrumental; the trip hop groove and pulse-y synths forge an easy rhythm and vibe to settle into. “The Longing Light” seeks heartstring territory with its searching cleans, think-space carving breakdown, and writhing guitars, but never quite manages to pull off the sense of emotional authenticity required to succeed.

Nonlinear are trapped in a bit of an odd quandary. On one hand, their ability to incorporate various flavors of metalcore into their sound is admirable. But on the other, the band are perhaps using these sounds as crutches to hold up songwriting which otherwise lacks the necessary kung-fu grip. I’m a firm believer that iteration sits above originality when it comes to artistic pursuits. However, Nonlinear have yet to escape the shadows of their perceived influences and fully step into the light they long for, relying too much on recognizable moments to help them color within the lines of this largely paint-by-numbers sound. At the end of the day, The Longing Light is perfectly fine, but hardly essential. Luckily, Nonlinear have plenty of time to hone their craft. I have faith. After all, Bad Omens transitioned from a Bring Me The Horizon clone to writing The Death of Peace of Mind. Never say never. Keep looking for that light.


Recommended tracks: Reflections, Holding On, The Longing Light
You may also like: Save Your Last Breath, Artemis Rising, Simbulis
Final verdict: 5/10

Related links: Bandcamp | Spotify | Facebook | Instagram | RateYourMusic

Label: Independent

Nonlinear is:
– Konstantinos Chitas (clean vocals, guitar)
– Nikos Koudounas (bass)
– Alexander Louropoulos (guitar)
– Christos Papakonstantinou (drums)
– George Plaskasovitis (vocals)
With guests:
– Vrodex (feat. on “Holding On”)


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